Character Motion:

I 300
- make exchange of needle smoother (low priority)

I 500
- more time to hand in beginning (2 seconds)
- more time for transition fade (one second)
- more time at the end of the shot (one second)
- trace hill line
- landscape motion to bring in CW

A 200
- fix the thumb: odd positions, joint is broken, seems to stay in the same spot
- floaty motion
- stabilize wrist and elbow
- move in one direction
- see Robert or Barbara for details

A 650
- see previous notes

A 800
- extend shot by a couple of seconds, so we can see Oyon's relief
- see previous notes for Mei/Oyon hand movement

A 1000
- floaty (low priority)

D 800
- actual camera change?
- Robert E-MAIL ANDY*****

G 100
- Mei pauses before separating from Oyon at about 5 seconds in

G 200 greenlight

G 400
- replace floaty waving in beginning by moving hand down earlier (speed up wave with slow in and slow out)
- pull the hand down before the head comes down
- odd/floaty finger motion in the wave, remove
- expressions and head motion good

G 600
- camera
- Robert E-MAIL ANDY*****

G 700
- move oyon forward enough to be right in front of the yurt door at the end of the shot

D 150
- work on pose, see Robert
- at the end of the shot, Mei should turn to look toward the bottle (which would be screen right)

D 200
- THIS SHOT IS CUT

D 300
- at the end of the shot add time for Mei to turn to look at the camp fire

D 500 greenlight

D 700
- only move right hand back and do a moving hold, don't have it go forward again (gives floaty appearance)
- good job on the expressions
- take out yellow CW figure
- place correct CW figures in correct spot (?)

D 900
- use Gary's expression
- shot is much shorter, see Barbara

D 1000 greenlight

D 1900 greenlight

C 300
- hold pose on frame 163 for a full beat before dropping
- don't overextend ik arm

U 200
- have Mei put two or three logs in the fire, basically enough logs to warrant her using both hands
- see facial expressions packet for notes
- slow down door opening at end

U 300
- put hands in fireplace, hold there, remove slowly... have light begin to flicker as hands are being removed
- lighting must change in subsequent shot to reflect the fire starting

U 400
- turn floaty at the end, speed up just a little

U 600
- Mei should pick up the scissors completely on her second grab
- arm shouldn't overextend in the grab, Mei should bend forward while grabbing so that she doesn't overextend

U 900
- after the scarf leaves Mei's head, lowering the scarf motion should be slower
- focus mostly on the scarf motion

U 1000
- place the correct scarf in this shot, see Andrea
- avoid pancake hands
- arm motion should be more limited, only move arms about a third of the way down (relative to how far down they move now)
- make the hand and finger motion more natural

U 1500
- see previous notes
- tone it down
- less robotic

M 600
- smile in beginning in linear/spline, make stepped
- pony tail secondary motion works
- work on scarf



Facial Expressions:

I 900 TODO
I 1000 TODO
I 1200 TODO

M 400
- tone down smile: close the lips a little bit, move down the ends of lips
- move smile such that we don't see the left side of the lips
- use M 600 for smile reference

M 500 greenlight
M 600 greenlight

A 100 TODO

A 300 greenlight
A 400 TODO
A 500 greenlight
A 700 greenlight

A 1200
- very top of head movement to the end of the shot, more worry in the eyebrows

A 1300 greenlight
G 100 greenlight
G 200 TODO
G 600 greenlight
D 1900 greenlight
D 2100 greenlight
D 300 greenlight
C 300 greenlight

U 200
- see feedback in facial expressions packet (Mei should not be smiling at all)

U 400 greenlight
U 1500 greenlight
M 700 greenlight