C 300
- refer to previous notes, self

I 200
- goal: Oyon bonding with Mei while sewing, teaching secondary
- show sensitivity, two women close
- for quilt characters: use second pose of I 500
- think about it

I 300
- goal: bonding, enjoying each other
- see previous notes
- continuity from previous shot

I 400
- goal: bonding, etc
- see previous notes

G 600
- don't start tilted up so high
- more time watching Mei
- work on step

G 400
- moment where Oyon realizes Mei is no looking looking, so have wave come down (hand curl)

G 200
- start with stretching "I'm looking for you" pose
- use less extreme wave overall (use storyboard as reference)

D 1800
- make hand go limp, don't drop scissors in this shot

M 700
- hug quilt with arms around, no wrapping quilt around Mei
- take tail of scarf and fold it over into itself (the part around her neck)

M 200
- face leaves earlier
- make sure she looks at the horse (look to the left earlier), then track it
- smile earlier, more extreme
- Mei looks toward left (notices something)

M 100
- see previous notes

M 600
- see own notes

M 400
- etc

M 300
- match pose
- move Mei down (top con)

M 500
- need inbetweens in the wave
- work on first step
- no interpolation
- try to get it so the boot doesn't go through the skirt, if not possible see Andrea/Nick
- see previous notes

A 700
- hand/fingers moving oddly
- Mei hold tea with both hands

A 800
- see previous feedback (neck craning, wrist twist, etc)
- Mei: bend from the waist but take into account weight on knees

I 1400/A 100
- line heads up

A 1300
- continuity: have Oyon looking at bottle at the start of the shot

D 150
- have Mei look over at end of shot (following into D 300)

D 200
- removing this shot, don't work on

TIMING NOTES:

I 400
- Brian: shot is now longer, check rendermatic

I 500
- a little bit of time before first motion starts
- at end cross fade into next shot, more time for fade

I 900
- Daren: check for more motion
- Ryan: add padding to beginning?

D 200
- take out shot

G 100
- two/three more seconds

Intro Oyon close-ups: more time on each