A 100
- do whole shot with Oyon happy (no hint of sickness)

A 300
- don't move head down at end (keep head up)
- Oyon can finish her breath, just don't collapse chest
- don't put hand on chest, use breathing/expression to sell the beginning of pain

A 500
- more 3/4 view like the story reel so we can see Oyon's face
- start with one hand (left) on chest, put second hand on chest at beginning of shot
- sickness/pain is mostly internal, as Oyon is stoic - don't make melodramatic but make it clear
- see Robert for reference:
- 1) no jolts of pain/heaving motions
- 2) two poses: one sick, one a a little more extreme, but not past the pose you see in the storyboard
- 3) expression: use Gary Faigin's pain expression, but no more than 30% intensity

A 600
- let's just not see Oyon in the background (reframe shot)

A 700
- don't look up at Mei in the end of the shot, have both hands on chest

C 700
- figure out camera/timing/cloud FIRST
- simplify curve, make as clean as possible

C 800
- don't work on till next week
- starts with a neutral expression then moves to sad (see mouth)
- check with Andy to make sure the camera does not move
- stick with profile expression (hide left eyebrow and eye)
- just eliminate motion: more of a subtle weight shift than any true movement, most of the movement will be in the scarf

C 900
- iterate: finish motion path, make correct distance away

D 900
- take away the pull back completely, no moving head back - makes pain too external
- surprise too much, half of this - focus on just the eyes
- 1) slight surprise, 2) settle into pain using current eyes, more neutral mouth

D 1100/1200
- exaggerate feet kicking more
- should drop slower, let gravity do the work
- follow through on mouth
- bottle needs work

A 1000
- move hands to right 3rd
- Mei's hand less floaty
- slow Oyon's hand onto Mei's, have Oyon squeeze Mei's hand at end
- work on timing

D 2000
- take reference on scissor fall (bouncing ball "physics"!)
- bounce in fingertips, then dies