Teams | March 28 - April 2 | April 5 -9 | April 12 - 16 | April 19 - 23 | April 26 - 30 | May 3 - 7 | May 10 - 14 | May 17 - 21 | May 24 - 28 | May 31 - June 4 | June 7 - 11 (Finals) | ||||||||||
Reference | FIgure out Colors using Gaudi Tiles (image provided in Reference
folder) - Objects have bright colors, Characters no bright colors, Background neutral Clean up script - Look at white and dark lines in between tiles Research Customer and Old man clothes |
Motion Reference Organized into shots | |||||||||||||||||||
Concept Art/ Character Design |
Look and Feel of movie (GO RESEARCH) work with reference
team - Gaudi Tiles....need to figure out Colors Jesse - 4 drawings (4 scenes from the movie that will decide color palette and overall enviornment) - beginning , middle, end..etc. -Finish Set and Prop Design |
Should have layout of colors and feel of movie. Greenlight Set and Props Exterior Set Design |
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Animatic | Tie up loose ends (storyreel/animatics) shot numbers, sequence prefix camera locations and storyboard aspect ratio add story issues approved |
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Storyboard/reel | Tie up loose ends
(storyreel/animatics) -shot numbers, sequence prefix -camera locations -add story issues approved |
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Character (model/rig) | Greenlight
Apprentice -Test rig with motion tutorials -test tesselation to make sure that renders are detailed enough Work on Master and Customer Heads -Customer looks like Jill -Old Man looks like Luke's Drawing |
Greenlight Master and Customer Models -Begin rigs of Master and Customer |
Greenlight Master and Customer Rigs -Test rig with motion tutorials |
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Prop | Obtain prop design sheet | Begin Modelling Props | Greenlight Prop Models | ||||||||||||||||||
Set | Obtain set design sheet | Begin Modelling Detailed Set Model | Greenlight Set Model | ||||||||||||||||||
Shading/ 3D Paint | Paint on Castes | Bright colors on objects, and neutrals for background. | |||||||||||||||||||
Motion | Motion I | Motion II | Motion III | ||||||||||||||||||
Lighting | Lighting Begins / Look and Feel Development of the Signature Shots from the Movie by May 5th Lighting Begins on all of Motion I | Lighting Begins on All of Motion II | Lighting Begins on all of Motion III | ||||||||||||||||||
Effects | Cloth Simulator and Hair for customer | Fire research | Dust research | ||||||||||||||||||
Render | Render Begins | Begin Final Renders | |||||||||||||||||||
Editor | First Set of Renders | Add in Latest Renders | |||||||||||||||||||
Postproduction | Learn Post Software After Effects, Premier, Tmpeg, and DVD Encore | Learn Post Software After Effects, Premier, Tmpeg, and DVD Encore | Learn Post Software After Effects, Premier, Tmpeg, and DVD Encore | Begin After Effects | Learn Post Software After Effects, Premier, Tmpeg, and DVD Encore | Learn Post Software After Effects, Premier, Tmpeg, and DVD Encore | Postproduction Begins | Weekly Iterations of Final Film | Finish Premiere Project/ Integrate Music | DVD Production | |||||||||||
Renderfarm | Get the Farm up and tested with Doug Johnson and Ernest | Get the Farm up and tested with Doug Johnson and Ernest | Get the Farm up and tested with Doug Johnson and Ernest | Get the Farm up and tested with Doug Johnson and Ernest | |||||||||||||||||
Audio | Collect Audio for Foley and Instru ments | Sound Effects list begin edit and integration | |||||||||||||||||||
CS Research | Decide on what research to use for movie | Decide on what research to use for movie |