This project will be broken into three phases:
Particles represent tiny objects such as snow, dust, or sparks. Since there can be sometimes hundreds or thousands of these particles, it is infeasible to animate them by hand. Instead you create a procedural animation for them by setting up some basic rules and behaviors and the particles animate themselves according to these constraints. This phase will walk you through setting up a simple particle system that simulates sparks.
The first step in setting up a particle system is to create a particle emitter. Go to Particles → Create Emitter (Options). We will need to adjust several of the emitter's attributes. This can be done before creation or afterward through the Attribute Editor.
Call the new emitter sparksEmitter. Since we want our sparks to come from a log, set the Emitter type to Volume and the Volume shape to Cylinder. Rotate and scale the new volume emitter until it resembles a log. If you hit Play, you should see particles being emitted in all directions.
Increase the frames in your Time Slider to 300. Going back to frame 0 will reset the particle simulation back to its initial state.
By default Maya will try to play your effect in real-time. If it can not keep up with the computation required to simulate your effect, then it will cut some corners to make up time. This generally not what you want and can be especially problematic with fluids. To make sure Maya calculates every frame go to Window → Settings/Preferences → Preferences → Time Slider and set Playback speed to Play every frame.
In the Attribute Editor of the emitter, under Basic Emitter Attributes, change the Rate to 25. Under Basic Emission Speed Attributes, change Speed Random to 3. In the attributes of the particleShape, under Lifespan Attributes, change Lifespan Mode to Random range, Lifespan to 1.5, and Lifespan Random to 0.5. This means that every particle will last for anywhere from 1 to 2 sec.
At the moment, the particles are emitted in all directions and travel in a straight line. We can affect the trajectory of a particle after it has been emitted by creating fields that are linked to the particles. Fields act as forces that affect the particles in a certain way, such as being pulled down by gravity.
Fields can be linked to particles when they are created by selecting the particles before creating the field. With the particles selected, create an Air and a Turbulence field from the Fields menu and make sure they are linked to the particles. The default settings for the Air field should be sufficient, but change the Magnitude of the Turbulence field to 25.
You may have noticed that the particles currently don't render. The first step to fixing that is to go to the attributes of the particleShape. Under Render Attributes, change Particle Render Type to Tube and click the Current Render Type button. Set Radius 0 and 1 to 0.03 and Tail Size to 2. This should make the particles look like below.
The particles still have the default particleCloud shader assigned to them. Assign a new Particle Cloud shader to the particles. This can be found under the Volumetric in the Hypershade. The Particle Cloud shader has Life Color, Life Transparency, and Life Incandescence attributes. These affect the appearance of the particles based on how old they are.
Map Ramp A into the Life Color and Life Incandescence of the particleCloud. Map Ramp B into the Life Transparency. Change the Glow Intensity to 0.3. This will simulate the spark cooling as it travels through the air, eventually turning to ash and disappearing.
If you render your particles, they should look like those in the image below.
As a finishing step, you will need to do a little Outliner cleanup. Group your fields and name the group "fields". Group your particles and name the group "particles". Group those groups together and name it "sparkFX".
Save your file as yourname_cse459_effects_phase1.ma.
Now is a good time to take a break, grab some coffee, stretch your legs, save again, scream in a pillow, etc. When you come back we're moving on to Phase II.
When you think of the word fluids, you probably imagine an effect that creates the splashing of water. In Maya Fluids refers to fluid dynamics, which deals with the interaction of fluids of similar density such as fire and air, smoke and air, or ink and water. Fluids can create very convincing effects, but as always, there is a performance tradeoff. Fluids are expensive to set up and expensive to render. In this phase we will walk you through creating a simple fire.
A large battle during a production, especially with effects, is finding ways to reduce your build time. We are going to use a little shortcut that will allow us to create a fire effect that would likely take several hours to build from scratch.
In the same file from Phase I, using the Dynamics menu set, go to Fluid Effects → Get Fluid Example.... This will load the Maya Visor where we can select from a range of premade effects. These examples work well as a starting point to achieve some fairly complex effects. Choose Fire, select the TurbulentFlame.ma icon, Middle mouse click and drag the icon to your viewport.
Unlike particles, fluids are contained in boxes (containers) which they cannot escape. The insides of these containers are divided into a set of "voxels" - points in space at which the various properties of the fluid are calculated. Increasing the resolution results in a higher fidelity image, but also takes longer to calculate and consumes more memory.
Step 1 will create a fluid container (Flame) with a fluidEmitter attached to a nurbs torus. Don't worry about all this junk, we only want the emitter settings and the fluid container. This is where some trickery comes into the mix. We want to 'steal' the emitter settings from fluidEmitter and apply them to a new one we are about to create. In your Outliner, underneath the nurbsTorus, select the fluidEmitter and open the attribute editor. Select Presets → Save fluidEmitter preset.... Name it something like flame_preset.
Now that we have our preset made, we can delete everything EXCEPT the fluid container (Flame) and your SparkFX group. Move and scale the fluid container so it snugly fits the sparksEmitter like the image below.
Create a polygon cylinder and name it log. Rotate, move, and scale your log so it fits inside your sparksEmitter Shape like the image below.
Now we are going to create our own fire emitter. First select your log, THEN shift+select the fluid container. In the Dynamics menu set, go to Fluid Effects → Add/Edit Contents → Emit from object (options). Name the emitter logFlame_emitter and make sure the emitter type is set to surface. Click Apply and close. Select the emitter, and then in the attribute editor apply your created preset.
At this point go ahead and hit 6, rewind and play the timeline. You should see Maya's attempt to preview what your fire is looking like. Find a spot that you like and take a quick render to see how we are doing. If all goes well you should have something that looks like the image below.
Now it's time to bring in your awesome burning wood shader from Project 1 and apply it to the log. Within the Hypershade window, go to File → Import and browse to the location of your burning log project. Select your maya file and hit open. You should see your burning wood shader appear in the hypershade. If any extra stuff imports into your Outliner or Hypershade, go ahead and delete anything you don't need. Apply your shader to the log and hit render. You might notice your log needs to be smoothed. Add the necessary geometry, double check your render, and save your maya file as yourname_cse459_effects_phase2.ma. Get some extra caffeine and we're off to Phase III!
A large part of creating successful effects is understanding the power and importance of setting your Maya file up in render layers so you can take advantage of layered compositing tricks in a post production program such as After Effects. In this phase we will prep your scene for layered rendering on the farm and finally import your renders into AfterEffects for final compositing and rendering.
First, let's take a moment to clean up your Outliner again. Group your Flame container, log, and logFlame_emitter into a group named "fire". Name anything that you have overlooked and lets get going. When preparing for final render it is often useful (especially for effects) to set up render layers in your scene. Open the Channel Box/Layer Editor. At the bottom of the panel are 3 tabs: Display, Render, and Anim. Click the render tab.
The masterLayer contains all the elements of your scene. This is what renders by default. We want to split our scene up into 3 layers: A sparks layer, a log layer, and a fire layer.
To begin, click the sparkFX group in your outliner. With the group selected, look at your render layers panel, click Layers → Create Layer from Selected. This will create a new render layer for our sparks. Name this render layer by double clicking on the name and type in sparks_RL. Next select everything under your fire group EXCEPT for your log. (Layers → Create Layer from Selected) rename the layer to fire_RL. Now create a render layer just for your log and name it log_RL.
Click through your newly created render layers and make sure that the correct objects are indeed on their proper render layer. Make sure your render layers are enabled (a little green check next to the name). Your Master Layer should be disabled (marked by a red x). Your render layer panel should look like the image below.
Time to Render! Double check your render settings: naming convention, quality settings, frame padding, file format, etc. Save your Maya file and send your render job to the farm. Have a look on the course website if you have forgotten how to do this. Once your render has begun, you should have three folders created in your project directory, usually under images. These folders will have the same name as your render layers. Once your render is complete, import your image sequences into AfterEffects for the final render. Remember to name your sequences so you know what you are working with!
In AfterEffects, click and drag one image sequence down to the "Create a new composition" button. Add in the remaining sequences, create a black solid, and Layer your composition like the image below.
At this point you can (if you want) start some final spit and polish such as color correction, added effects, layer blending etc. Fire up a render and you should have a nice animation of a roaring fire!
Save your final "render layer ready" Maya file (yourname_cse459_effects_phase3.ma), your AfterEffects file, and a .mov of your final fire animation.