Autumn 2002 |
Project 2 : Shading
Date Assigned: October 22, 2002Due for in-class critique : Oct 31, 2002
Final Revised Shading Due: Nov 5, 2002
Reading: Chapter 2
In this assignment you will assign surface shading properties to your models.
Getting startedBefore beginning you should complete the two brief tutorials on writing shaders and texture mapping in Maya. The tutorials are sequential, when you finish the Shading one you should then proceed to the Texture Mapping tutorial, using the model for which you just wrote shaders. Also do the two tutorials on the Instant Maya CD (also on the server):
- Chapter 6, lesson 1
- Chapter 6, lesson 2
What to do
This assignment has 3 parts and everyone will use the same camera and lights. Download the following two files into the same directory and Import your model into it. (File->Import) Rename the .mb file after you download it to reflect your model. -Object Display Mat
-Object Display Texture Map
1. Photorealism Shade your models from the previous assignment so that it looks exactly like the real objects. Pay special attention to dents, smudges, scratches, and other "defects": it's often these details that make a model look real.
2. Effect.
Do one of the following for each model:
(a) Second material. Make one of your objects look as if it's made of some completely different substance. (For example: leather, aluminum, terra cotta, Saran Wrap, matzoh, cork, terrycloth, papier mache, mosaic tile, vinyl, felt, skin, you name it.) If you made a living object (e.g. a bird or fish), one option is to use the second material to make your object look like statue. (e.g. the Maltese Falcon).
(b) Antiquity. Make your object look as if it has aged by a hundred years. (No, you can't just model dust if you made a living creature :)
Note: As in the last project, you must be able to bring in real world examples of the textures which you model. As an example, if you model a aged-worn couch, bring in a piece of the cloth you were trying to replicate.
3. Group Design
As a group you should compose your scene using your newly shaded models.
What we're looking for
In the first part, you should emulate reality with all of its imperfections. Convince us that it's the real thing. In the second part, you should aim to convey the stated effect as well as possible. No cheating. ("Here you see my pepper grinder made out of... well... what does it look like to you? ... Mashed potatoes? Yeah, that's what I was going for.")
Since we will only see one view of the scene for each part (or all parts, if you like) of the assignment, take the time to position your model so that the best features are visible. The final scenes should be rendered at 1024x768 resolution w/ High Quality Anti-Aliasing and Raytracing turned on. These options can be set in the Window->Rendering Editors->Render Globals menu set.
We'd also like you to use only the lights we've given you. You may make slight adjustments to the positions of the lights if it will help illuminate a particular feature of your object, but try to keep the changes to a minimum. There will be plenty of room to use light creatively in the next assignment.
Where do you find interesting textures?
Look around on the Hypershader texture list. We would really like people to do their best job in making the textures look exactly like the object though, so if you are making a rock, make sure you don't just use a pre-packaged texture unless it is very close to the real thing. For reference, or use, here are a few links to texture archives:
You can scan images and objects. The fish texture in Fish Schtick was made by putting a real fish on the scanner bed! (Try not to make too much of a mess though...) You can also create textures from scratch using PhotoShop. Or you might want to modify an existing texture (changing various things like contrast, color, etc).
Also, feel free to modify your models from your last assignment if there are things that you want to change. Just don't spend too much time on this aspect as the project's main emphasis is on shading.