CSE 457 Introduction to Computer Graphics
Autumn Quarter 2011

Project 3 : Trace

Assigned: Thursday, November 3

Due: Wednesday, November 16 by 11:59pm

Artifact Due: Monday, November 21 by 11:59pm

Help Sessions (Graphics lab, Sieg 327):
Monday, November 6 at 10:30am
Monday, November 6 at 3:30pm

Project TA: DJ Sprouse

Quick Links

  1. Just the sample raytracer and scenes, no code
  2. Ray Tracing Handout (be sure to read this before hacking away!)
  3. Triangle Intersection Handout (be sure to read this before implementing trimesh intersection)
  4. Project Roadmap
  5. Some Useful Equations (very useful for writing Blinn-Phong code)
  6. .ray File Format
  7. Quick overview of STL (handy for understanding light lists)
  8. How to use the Debugging Display
  9. Tool Kit Resources(FLTK, OpenGL)
  10. Help Session Slides (ppt | pdf)
  11. Comparison Tool
  12. Aritfact requirements

Project Description

Trace is a program that constructs recursively ray-traced images of fairly simple scenes. It is similar in functionality to the POV-Ray raytracer. You might try browsing around the POV-Ray web site for artifact and extra credit inspiration. And POV-Ray can be downloaded for free, so if you want a taste of what a really powerful raytracer can do, then go check it out!

Getting Started

To get started, checkout the skeleton code from your SVN repository (details below). In the "scenes" subdirectory of your project folder, you'll find some sample scene files (all the files with the .ray extension). These are text files that describe some geometry and the material that should be applied to them. Refer to this page for a brief explanation.

The Trace project is a very large collection of files and object-oriented C++ code. Fortunately, you only need to work directly with a subset of it. However, you will probably want to spend a bit of time getting familiar with the layout and class hierarchy at first, so that when you code you know what classes and methods are available for your use.

The starting point for where ray tracing begins, and where you will be needing to add a lot of functionality, is in the RayTracer.cpp file. This is a good file to start studying and exploring what methods get called and what they do. In addition, the raytracer features a debugging window that allows you to see individual rays bouncing around the scene. This window provides a lot of visual feedback that can be enormously useful when debugging your application. Look at this web page for a detailed explanation of how to use the debugging window.

In order to get the source code, follow the directions below:

Graphics Lab:

  1. Create a new folder somewhere (such as your Z: drive) with the name 'trace', right click on it, and choose 'SVN Checkout'
  2. In the 'URL of repository' field, enter:
    file://\\ntdfs/cs/unix/projects/instr/11au/cse457/trace/YOUR_ASSIGNED_GROUP_NAME/source
    When copying this string (then editing the group name), be careful that the "\"s and "/"s are preserved exactly as they appear on this page.
  3. Make sure that the 'HEAD revision' radio button is selected, and hit OK
  4. A working copy of the source code will be checked out into the folder. You're now ready to work!

Remote Access:

If you plan to work from home, you will either need to use the FLTK Installer or point Visual Studio to the correct include and library directories for the FLTK that came in your repository (since normally it points to the local one on each lab machine). Instructions for how to do this. To open and build the project, double-click modeler.vcxproj.

Running the Sample

Before you begin coding, you should run the sample solution; it is linked to above. It has all of the requirements implemented, along with some extra features. Definitely check out the helpful debug mode!

Creating Your Own Scenes

As you get into the project, you'll probably want to use some scenes of your own invention. There is a help page available about the file format. This file also describes the specifications of all the primitives you are required to implement. To create realistic refractive objects, you'll need their Indices of Refraction.

Testing Your Project

Once you implement the requirements listed below, you'll be able to test it with this automated tool. This tool compares your program's output against the sample solution's. A README is included to help you use the tool.

NOTE: It is in your best interest to test your ray tracer against this comparison tool. This is what the TAs will be using to grade the correctness and functionality of your ray tracer.

Don't worry if your solution doesn't give exactly the same output (rounding errors, among other things, are a fact of life). This tool is only to get an idea of where to look for problems. Note that your bells and whistles must be disabled for the tool to accurately check against the sample.

NOTE: Memory Leaks: It is strongly advised your program does not have any memory leaks! For more information check out this summary. To (sortive check) if you have a memory leek in ray.exe, render dragon full depth, antialiasing, max size, etc. Do a ctrl+shift+Esc and watch ray.exe's memory consumption. If it is increasing to no end you probably have a leak. It is likely the program will crash out after some point. Why we care?! It is extremely frustrating for your render to stop 91% complete night of Artifact turn in!

Required Extensions

After running the sample solution, you should build the skeleton code and see how it compares. You will probably notice that there is a significant difference in the quality of images rendered with the two versions. This suggests what parts of the raytracer have been written and what parts are left undone.

If you compare the outputs of the skeleton and solution, you will see that most of the basic geometry-handling code is done. The skeleton code is able to cast rays into an image and draw color on the screen, resulting in some flat-shaded polygonal shapes. The skeleton code is doing ray-casting and nothing more. Furthermore, the triangle and sphere primitives will not appear. While all the code to cast a ray exists, not all of the object intersections code is there. You need to implement sphere and triangle intersections and expand ray-casting into ray-tracing by adding support for reflected and refracted rays. You also must implement the Blinn-Phong specular-reflection model and include support for color-filtered shadows cast through transparent objects.

Specifically, each group must implement recursive ray tracing as described in class. This entails making the extensions to the program listed below. Your ray tracer should recursively trace rays to account for these. Recursion should proceed to a maximum depth as set by the user.

Extension Shirley handout
(Errata -- not needed for handout)
Foley, et al. Glassner
Triangle Intersection 10.3.2 - -
Sphere Intersection 10.3.1 15.10 pp.91
Blinn-Phong specular-reflection model (See lecture notes) 16.1 and 16.2.5 -
Contribution from:
  multiple light sources,
  distance attenuation,
  and these additional types of lights:
  • Directional lights
  • Point lights
(See lecture notes) 16.1 (particularly in 16.1.5 and 16.1.6) -
Shadow Attenuation
  • Objects blocking light sources
  • Color-filtering through transparent objects
10.5

(Implement filtered transparency as discussed in class)

16.12 and 16.4 -
Reflection 10.6 16.12 4.2.1
Refraction 10.7

(Ignore Fresnel term and Beer's Law, which are whistles)

16.12 4.2.3 - 4.2.7

NOTE: You may assume that objects are not nested inside other objects. If a refracted ray enters a solid object, it will pass completely through the object and back outside before refracting into another object. Improving your refraction code to handle more general cases such as a refractive sphere contained inside another refractive sphere is an extra credit option as described below. In addition, you may assume that the camera itself is not placed inside an object. The initial rays that are sent out through the projection plane will always be moving through air.

NOTE: If you use Shirley's book, rather than the handout, be sure to make corrections according to the errata noted above.

NOTE: Some of the provided scenes need features that are not required in order to render correctly. dragon.ray, shell.ray, sier.ray, and trimesh2.ray all require material interpolation support (which is extra credit) in order to appear as they are rendered by the sample solution. And, box.ray, texture_map.ray, and texture_box.ray use texture mapping (also extra credit). So, if you are testing with these scenes, do not worry if your results are different (and other scenes appear fine).

For this project, you are not required to implement any bells or whistles. At this time, we hope that you are already in the habit of thinking about extra features when you start the project. Even the simple bells and whistles can make significant changes in your ray traced scenes.

Artifact Requirements

Each team is required to submit one artifact per person. Name the file <your-cse-netid>.jpg or <your-cse-netid>.png. The scene traced cannot be one of the provided .ray files but must at least be modified in some way (or a completely new scene). With each artifact, you may also submit some brief comments -- this can be as simple as two sentences describing the placement of the objects and lights to get the desired effect or a detailed description of the bells and whistles used to create the scene. The comments will be posted with your artifact on the webpage for voting.

NOTE: Originality There is much room to create something really cool for your artifact, and we encourage you to spend a little time on it (at least more than 10 minutes!).  In particular, your Trace artifact should not be too similar to one of the sample scenes.  If your rendering is simply based on a tweaked version of a sample scene (e.g., you just rotated the camera X degrees in two axes, or changed the color of an object) then you will lose some (easy) points on turn in.

Turn In Procedure

Same turn in procedure as other projects. In project directory, put source code in turnin/source folder and an executable in turnin/binary folder.

Submit one artifact per student here

NOTE: Compile executable in Release Mode! There is a drastic increase in performance by compiling and executable in release mode vs compiling in debug mode.

Bells and Whistles

NOTE: If you implement any bells or whistles you need to provide examples of these features in effect. You should present your extra credit features at grading time either by rendering scenes that demonstrate the features during the grading session or by showing images you rendered in advance. You might need to pre-render images if they take a while to compute (longer than 30 seconds). These pre-rendered examples, if needed, must be included in your turnin directory on the project due date. The scenes you use for demonstrating features can be different from what you end up submitting as an artifact.

Both Shirley's book and Foley, et al., are reasonable resources for implementing bells and whistles. In addition, Glassner's book on ray tracing is a very comprehensive exposition of a whole bunch of ways ray tracing can be expanded or optimized (and it's really well written). If you're planning on implementing any of these bells and whistles, you are encouraged to read the relevant sections in these books as well.

Remember that you'll need to establish to our satisfaction that you've implemented the extension! You should have test cases that clearly demonstrate the effect of the code you've added to the ray tracer. Sometimes different extensions can interact, making it hard to tell how each contributed to the final image, so it's also helpful to add controls to selectively enable and disable your extensions. In fact, we require that all extensions be disabled by default, with controls to turn them on one by one.

Here are some examples of effects you can get with ray tracing. Currently none of these were created from past students' ray tracers.

whistle Implement an adaptive termination criterion for tracing rays, based on ray contribution. Control the adaptation threshold with a slider.

whistle Implement antialiasing by supersampling and averaging down.

whistle Modify your antialiasing to implement the first stage of distribution ray tracing by jittering the sub-pixel samples. The noise introduced by jittering should be evident when casting 1 ray per pixel.

whistle Modify shadow attenuation to use Beer's law, so that the thicker objects cast darker shadows than thinner ones with the same transparency constant. (See Shirley p. 214.)

whistle Include a Fresnel term so that the amount of reflected and refracted light at a transparent surface depend on the angle of incidence and index of refraction. (See Shirley p. 214.)

bell Implement spot lights (described in the Angel text). You'll have to extend the parser to handle spot lights but don't worry, this is low-hanging fruit.

bell Improve your refraction code to allow rays to refract correctly through objects that are contained inside other objects. You must put together a .ray file to demonstrate this effect.

bell Add code for interpolating the normal and material properties of a triangle's vertices. Don't forget to renormalize the interpolated normal. This is necessary for viewing some of the polymesh scenes such as sier.ray.

bell Add a menu option that lets you specify a background image to replace the environment's ambient color during the rendering. That is, any ray that goes off into infinity behind the scene should return a color from the loaded image, instead of just black. The background should appear as the backplane of the rendered image with suitable reflections and refractions to it. This is also called environment mapping. Click here for some examples.

bell Find a good way to accelerate shadow attenuation. Do you need to check against every object when casting the shadow ray? This one is hard to demonstrate directly, so be prepared to explain in detail how you pulled it off.

bell Deal with overlapping objects intelligently. While the skeleton code handles materials with arbitrary indices of refraction, it assumes that objects don't intersect one another. It breaks down when objects intersect or are wholly contained inside other objects. Add support to the refraction code for detecting this and handling it in a more realistic fashion. Note, however, that in the real world, objects can't coexist in the same place at the same time. You will have to make assumptions as to how to choose the index of refraction in the overlapping space. Make those assumptions clear when demonstrating the results.

bell+whistle Implement antialiasing by adaptive supersampling, as described in Foley, et al., 15.10.4. For full credit, you must show some sort of visualization of the sampling pattern that results. For example, you could create another image where each pixel is given an intensity proportional to the number of rays used to calculate the color of the corresponding pixel in the ray traced image. Implementing this bell/whistle is a big win -- nice antialiasing at low cost.

bell+whistle Implement more versatile lighting controls, such as the Warn model described in Foley 16.1.5. This allows you to do things like control the shape of the projected light.

bell bell Implement support for multithreaded anti-aliasing . This means splitting up the anti-aliasing amongst multiple processess. You'll definitely need to make use of the ThreadPool.cpp class. This is probably not too difficult if you have taken Operating Systems. If not, check out some info on Pthreads and threading here. We need to see some code and/or a convincing performance demonstration for credit.

bell bell Add texture mapping support to the program. To get full credit for this, you must add uv coordinate mapping to all the built-in primitives (sphere, box, cylinder, cone) except trimeshes. The square object already has coordinate mapping implemented for your reference. The most basic kind of texture mapping is to apply the map to the diffuse color of a surface. But many other parameters can be mapped. Reflected color can be mapped to create the sense of a surrounding environment. Transparency can be mapped to create holes in objects. Additional (variable) extra credit will be given for such additional mappings. The basis for this bell is built into the skeleton, and the parser already handles the types of mapping mentioned above. Additional credit will be awarded for quality implementation of texture mapping on general trimeshes.

bell bell Implement bump mapping (Watt 8.4; Foley, et al. 16.3.3). Check this out!

bell bell Implement solid textures or some other form of procedural texture mapping, as described in Foley, et al., 20.1.2 and 20.8.3. Solid textures are a way to easily generate a semi-random texture like wood grain or marble. Click here for a tutorial on making realistic looking marble using Ken Perlin's noise function.

bell bell Add some new types of geometry to the ray tracer. Consider implementing torii or general quadrics. Many other objects are possible here.

bell bell Add support for height-fields. Click here for a discussion on what they are and how they can be generated.

bell bell Extend the ray-tracer to create Single Image Random Dot Stereograms (SIRDS). Click here to read a paper on how to make them. Or, create 3D images like this one, for viewing with red-blue glasses.

bell bell for first, [bell+whistle] for each additional
Implement distribution ray tracing to produce one or more or the following effects: depth of field, soft shadows, motion blur, or glossy reflection (See Shirley 10.11, Watt 10.6, Glassner, chapter 5, or Foley, et al., 16.12.4).

bell bell bell Add some higher-level geometry to the ray tracer, such as surfaces of revolution, extrusions, metaballs, swept surfaces, or blend surfaces. You may have implemented one or more of these as a polygonal object in the modeler project. For the Raytracer, be sure you are actually raytracing the surface as a mathematical construct, not just creating a polygonal representation of the object and tracing that. Yes, this requires lots of complicated math, but the final results are definitely worth it (see Transparent Metaballs). Here is a really good tutorial on raytracing metaballs. For an additional bell, add texture mapping to your higher-level geometry. The texture mapping must look good in order to get credit for it!

bell bell bell Implement ray-intersection optimization by either significantly extending the BSP Tree implemented in the skeleton or by implementing a different optimization method, such as hierarchical bounding volumes (See Glassner 6.4 and 6.5, Foley, et al., 15.10.2).

bell bell bell Implement 3D fractals and extend the .ray file format to provide support for these objects. Note that you are not allowed to "fake" this by just drawing a plain old 2D fractal image, such as the usual Mandelbrot Set. Similarly, you are not allowed to cheat by making a .ray file that arranges objects in a fractal pattern, like the sier.ray test file. You must raytrace an actual 3D fractal, and your extension to the .ray file format must allow you to control the resulting object in some interesting way, such as choosing different fractal algorithms or modifying the base pattern used to produce the fractal.

Here are two really good examples of raytraced fractals that were produced by students during a previous quarter: Example 1, Example 2
And here are a couple more interesting fractal objects: Example 3, Example 4

bell bell bell bell Implement 4D quaternion fractals and extend the .ray file format to provide support for these objects. These types of fractals are generated by using a generalization of complex numbers called quaternions. What makes the fractal really interesting is that it is actually a 4D object. This is a problem because we can only perceive three spatial dimensions, not four. In order to render a 3D image on the computer screen, one must "slice" the 4D object with a three dimensional hyperplane. Then the points plotted on the screen are all the points that are in the intersection of the hyperplane and the fractal. Your extension to the .ray file format must allow you to control the resulting object in some interesting way, such as choosing different generating equations, changing the slicing plane, or modifying the surface attributes of the fractal.

Here are a few examples, which were created using the POV-Ray raytracer (yes, POV-Ray has quaternion fractals built in!): Example 1, Example 2, Example 3, Example 4. And, this is an excellent example from a previous quarter.

To get started, visit this web page to brush up on your quaternion math. Then go to this site to learn about the theory behind these fractals. Then, you can take a look at this page for a discussion of how a raytracer can perform intersection calculations.

bell bell bell bell Implement a more realistic shading model. Credit will vary depending on the sophistication of the model. A simple model factors in the Fresnel term to compute the amount of light reflected and transmitted at a perfect dielectric (e.g., glass). A more complex model incorporates the notion of a microfacet distribution to broaden the specular highlight. Accounting for the color dependence in the Fresnel term permits a more metallic appearance. Even better, include anisotropic reflections for a plane with parallel grains or a sphere with grains that follow the lines of latitude or longitude. Sources: Shirley, Chapter 24, Watt, Chapter 7, Foley et al, Section 16.7; Glassner, Chapter 4, Section 4; Ward's SIGGRAPH '92 paper; Schlick's Eurographics Rendering Workshop '93 paper.

This all sounds kind of complex, and the physics behind it is. But the coding doesn't have to be. It can be worthwhile to look up one of these alternate models, since they do a much better job at surface shading. Be sure to demo the results in a way that makes the value added clear.

Theoretically, you could also invent new shading models. For instance, you could implement a less realistic model! Could you implement a shading model that produces something that looks like cel animation? Variable extra credit will be given for these "alternate" shading models.  Links to ideas: Comic Book Rendering

Note that you must still implement the Blinn-Phong model.

bell bell bell bell Implement CSG, constructive solid geometry. This extension allows you to create very interesting models. See page 108 of Glassner for some implementation suggestions. An excellent example of CSG was built by a grad student here in the grad graphics course.

bell bell bell bell Add a particle systems simulation and renderer (Foley 20.5, Watt 17.7, or see instructor for more pointers).

bell bell bell bell Implement caustics by tracing rays from the light source and depositing energy in texture maps (a.k.a., illumination maps, in this case). Caustics are variations in light intensity caused by refractive focusing--everything from simple magnifying-glass points to the shifting patterns on the bottom of a swimming pool. Here is a paper discussing some methods. 2 bells each for refractive and reflective caustics. (Note: caustics can be modeled without illumination maps by doing "photon mapping", a monster bell described below.)

Here is a really good example of caustics that were produced by two students during a previous quarter: Example



There are innumerable ways to extend a ray tracer. Think about all the visual phenomena in the real world. The look and shape of cloth. The texture of hair. The look of frost on a window. Dappled sunlight seen through the leaves of a tree. Fire. Rain. The look of things underwater. Prisms. Do you have an idea of how to simulate this phenomenon? Better yet, how can you fake it but get something that looks just as good? You are encouraged to dream up other features you'd like to add to the base ray tracer. Obviously, any such extensions will receive variable extra credit depending on merit (that is, coolness!). Feel free to discuss ideas with the course staff before (and while) proceeding!


Disclaimer: please consult the course staff before spending any serious time on these. These are all quite difficult (I would say monstrous) and may qualify as impossible to finish in the given time. But they're cool.

Sub-Surface Scattering

bell bell bell bell monster bell bell bell bell bell

The trace program assigns colors to pixels by simulating a ray of light that travels, hits a surface, and then leaves the surface at the same position. This is good when it comes to modeling a material that is metallic or mirror-like, but fails for translucent materials, or materials where light is scattered beneath the surface (such as skin, milk, plants... ). Check this paper out to learn more.

Metropolis Light Transport

bell bell bell bell monster bell bell bell bell bell

Not all rays are created equal. Some light rays contribute more to the image than others, depending on what they reflect off of or pass through on the route to the eye. Ideally, we'd like to trace the rays that have the largest effect on the image, and ignore the others. The problem is: how do you know which rays contribute most? Metropolis light transport solves this problem by randomly searching for "good" rays. Once those rays are found, they are mutated to produce others that are similar in the hope that they will also be good. The approach uses statistical sampling techniques to make this work. Here's some information on it, and a neat picture.

Photon Mapping

bell bell bell bell monster bell bell bell bell bell

Photon mapping is a powerful variation of ray tracing that adds speed, accuracy and versatility. It's a two-pass method: in the first pass photon maps are created by emitting packets of energy photons) from the light sources and storing these as they hit surfaces within the scene. The scene is then rendered using a distribution ray tracing algorithm optimized by using the information in the photon maps. It produces some amazing pictures. Here's some information on it.

Also, if you want to implement photon mapping, we suggest you look at the SIGGRAPH 2004 course 20 notes (accessible from any UW machine or off-campus through the UW library proxy server).

design by Ian Li,
Autumn 2011 maintenance by DJ Sprouse (contact info on personnel page)
CSE 457 Introduction to Computer Graphics
Autumn Quarter 2011
 
 
  Last modified: Thursday, 03-Nov-2011 11:54:27 PDT